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In Awe by John Gregorius
- posted by Robin James on 5/20/2022
IN AWE John Gregorius on Spotted Peccary Music
Growing out of a search for meaning within life's mysteries, and his deep love for the guitar, John Gregorius intertwines the physical and spiritual, a combination that seems to flow naturally from one piece to another. What you will hear are instrumentals focusing on the finger-style acoustic guitar and ambient, processed electric guitar. All of the songs heard on his newest album on Spotted Peccary Music, In Awe, were written, produced and mixed by Gregorius himself, who plays guitars, keyboards, percussion and developed the drum programming. Sean O’Bryan Smith plays bass on all songs, Mitch Ross plays drums on three songs, Benjamin Fleury-Steiner created the synth bed for Everyday Miracle, and Kim Daniels contributes her wondrous ethereal vocals to three tracks.
Perhaps this music is a gentle reminder to pay attention, and that there is more to life than what can be empirically measured or scientifically observed. There is time to discover these beautiful characteristics emerging from within and slowly transfiguring us. It's hard to slow down and notice things in a busy world. Try to take the time to experience your environment with all of your senses - touch, sight, smell, taste and hearing. Be kind to your wandering mind.
The sonic worlds that Gregorius has created in his imagination are enchanted, not by magic or fantasy, but by an even more startling truth that ultimately cannot easily be put into words - the universe is a love note from God. The title track on the album, "In Awe" (5:28), is a melodic instrumental with ethereal vocals featuring Daniels and the tempo of Ross, who reinterpret the word-free tradition in meaningful and sometimes surprising ways, allowing the listener a space for meditation, contemplation, silence, solitude, stillness, and practicing the idea of universal cycles, such as day and night, to repeatedly restore light and life to a glimmering world.
Light is at once both obvious and mysterious, a bright form of energy given off by the sun. Faith affects us in subtle ways, imageless, stillness, and wordlessness, unfathomable or dauntingly incomplete. "Light" (3:55) reveals the only truth that matters to some listeners, the presence of God in our daily lives. Gregorius is heard here on keyboards, joined by Ross on drums, to express what is truly inexpressible or ineffable, the mood is moderately paced, perhaps a bit meditative.
Benjamin Fleury-Steiner created the synth foundation that emerges beneath the electric guitar phrases, "Everyday Miracle" (6:03) has a delicate and meditative pace, when the drums join all the breezes come together. When the drums pause, there is a transformation to suspension and that is when the miracle happens. A miracle is not something we achieve; it is something we receive, awakening to the working of God that is perceived in all that one experiences. Different musicians present different images and ideas, too often people tend to have a very limited, stereotyped view of what it means to be spiritual.
Being "new" only happens once, this is perhaps a tribute to discovery and mindfulness, expressing the renewal of our minds with a feeling of the infinite. "New" (5:18) features the vocals of Daniels and Ross playing heartbeat drums, with Gregorius on acoustic guitar, bringing a living organic tempo with layers of soaring chordwork, simple and open, showing new ways of knowing and loving based on states of awareness. You might be moved to suspend judgment and unleash your natural curiosity about the workings of the mind, approaching our experience with warmth and kindness, to ourselves and others.
"Here Now" (4:25) exists in an eternal present, we are all getting lost in thought, noticing it, and returning to our chosen meditation. The moment might rest in anything, and in fact probably does rest in everything, in every thorn on every bush, in every drop of water in the sea. Gregorius weaves cyclic fingerpicking patterns and electric guitar layers, joined by Ross on drums and Smith on bass.
When it comes to exploring the secrets or mysteries that are hidden, locked away in the heart or mind, sometimes what you need to do in a real life situation is to go out and get more clues, allowing access, passage, or a view through an empty space; not closed or blocked up. And yet, over time, the feeling does seem to emerge, one begins to have some consciousness of absolute or divine reality. "Open" (2:59) simply means not closed, accessible, unimpeded, as an open gate. Not drawn together, closed, or contracted, anyone can inspect, modify, and enhance what is found, electric guitar finger weaving layers repeating, building a sense of collecting.
Ascending describes a rising or growing thing, climbing to unexpected and fascinating places, very carefully moving towards great heights and experiencing a sensation ultimately free from gravity. On the track "Ascending" (4:06) you can hear acoustic guitar, strings, perhaps a cello, and a piano. All of us have somewhere in us an instinct to try and become better, choosing gratitude until we are grateful and accepting the possibilities for expanding our gratitude awareness. The graceful voice of Daniels blends with electric guitars and programmed percussion, establishing a simple melody that creates a sense of confidence and peace. Appreciative of benefits received, unfolding like a puzzle being fit together, "Gratefulness" (5:39) is more about the heart than the head, more about our embodied sense of spiritual living, rather than just a set of abstract beliefs or principles that one is supposed to believe.
Mindfulness is the basic human ability to be fully present, aware of where we are and what we're doing, and not overly reactive or overwhelmed by what's going on around us. "Wonder" (4:50) arrives to wake up to the inner workings of our mental, emotional, and physical processes. Hidden behind the natural world and within the music oriented towards contemplative prayer, the sound of electronic instruments and guitar is slow, respectful and radiant, the feeling aroused by something strange and surprising to think about something because you want to know more facts or details about it.
Mindfulness is a type of meditation in which you focus on being intensely aware of what you're sensing and feeling in the moment, without interpretation or judgment. Practicing mindfulness can involve breathing methods, guided imagery, and other practices to relax the body and mind and help reduce stress. Appearances are deceiving, and the truth is that no one is just like everyone else. Our goal, therefore, is to learn. In Awe does not impart a story, the music allows for the understanding of what it means to be human, and everything that we are, every single aspect of creation is sacred, a pathway to the heart of God.
1 In Awe
2 Light
3 Everyday Miracle
4 New
5 Here Now
6 Open
7 Ascending
8 Gratefulness
9 Wonder
Rating: Excellent
IN by David Helpling
- posted by Robin James on 4/15/2022
A cinematic journey through the abyss and into the
David Helpling
Spotted Peccary Music

IN takes us from the infinitesimal to the infinite, a journey through the abyss and into the cosmos, sparkling symphonic cinematic electronica, primarily performed on electric guitar and keyboards, sometimes with vocals and sometimes with bowed strings. The feeling is of awesome wisdom and strength. IN was born from finding wonder in the tiniest of places, becoming a massive double album composed over ten years. This is notable as an epic effort for Helpling, and Spotted Peccary is supporting this project with as many formats as possible: double vinyl LP, double CD, Mp3, Apple Lossless, Immersive audio, Spatial Audio, all available singly or in a limited edition bundle.

David Helpling is a California based guitarist and keyboardist, recording artist and film composer specializing in ambient music and electronic music. He sonically embraces listeners with his signature guitar sounds and textures, crafted synthesizers, powerful percussive pulses and rich multi-dimensional recordings.

From the first track, "Waves Dream of Breaking" (7:32), we are a gull soaring wheeling and gliding over a big ocean, sensing the shore and sky, with amethyst, emerald and sapphire shades emerging as we soar above the realms of the sea. On the second track, "This Burning Sky" (7:20), vocalist Nidhi Bhatmuley represents cosmic energies and communication between worlds, with gentle ethereal vocals and percussive sensations, enveloped in flames, only to be reborn.

On the sixth track, Benjy Wertheimer plays the esraj: "The Bliss You've Always Carried" (8:00), includes a call and response in the ocean of divine light, woven fingers on electric guitar strings, and Matthew Schoening's electric cello vibrates resonantly, it glides through the watery mass, tension builds and the vista expands. "You Already Are" (6:42) leaves us marveling at these beauties of sea and sky.

Miriam Stockley adds haunting ethereal vocals to "Slipping" (8:00) and to "I Too Am Coming Home" (6:44), providing refreshing reassurance, strength, affirmation, prayers, supernatural portents, and sounds of angels; the mists are dispersed under the action of the sonic sun's rays.

1 Waves Dream of Breaking
2 This Burning Sky
3 Only What's Been Taken
4 Here All Along
5 Still As Stone
6 The Bliss You've Always Carried
7 Slipping
8 The Cold Distance Between
9 You Already Are
10 Following the Lines
11 Bending Towards the Night
12 In Waves of Fire
13 I Too Am Coming Home

Artist Website & Social Links:
IN Smartlink:
Rating: Excellent
Noctilucent by Jeff Greinke
- posted by Robin James on 3/19/2022
Night Clouds Shining
All of the sounds heard on Jeff Greinke's new album Noctilucent are electronic, made by keyboards with samples, forming textures and atmospheric presences. Noctilucent is a word used in meteorology to define a rare type of cloud phenomena, called night shining clouds, which occur in the upper atmosphere, higher than any other cloud. They exhibit tenuous wavy patterns, are silvery or bluish white, and are typically visible on summer nights in high latitudes.
Making music is by far Greinke's greatest passion, nature has informed and shaped this work in subtle but significant ways. He has a seemingly insatiable drive to be in the studio and work with sound. He puts a tremendous amount of care into this work, the joy of creating music brings out all the glorious colors of his beautiful range, deep blue and purple in the shadows of the peaks, green and brown where grass and rock mingle, and an endless perspective of jagged rock and pointed crags, until these are themselves lost in the distance, where the snowy peaks rise grandly over the desert gardenscape.
The overall mood is subtle, the sound is primed for interpretation, like the clouds, with a huge vista appearing solid while being gentle. The music possesses a quite extraordinary range of different timbres and vibrates along with the air inside it. "Unrest" (4:31), a sound heard when the falling sunset threw into strange relief the ghost-like clouds which amongst the hidden mountains seem to wind ceaselessly through the valleys.
An ocean is a body of water that composes much of a planet's hydrosphere, extraterrestrial oceans may be composed of water or other elements and compounds, and there could be evidence for the existence of oceans elsewhere in the solar system. "Of the Deep Sea" (5:02) brings purring leviathans and odd toothy monsters of huge sizes. In the distance, a bell, bobbing loose on the waves, sounding sometimes nearer and sometimes farther. For the track titled "Tunnel" (5:34), sounds emerge from the dark opening ahead. The tension beats like a railroad track, and luminous spectra are frequently seen. Here inside the mountain, impulse will always tremble at the sound of the hidden and fathomless worlds of strange life which may pulsate in the gulfs.
The title track, "Noctilucent" (5:43) provides a sense of granular motion, perhaps a distant foghorn glows, conditions which will produce one sound-color round the margin of the cloud, and that color mixed with others, and so giving rise to other tints, farther in; at this specific unfolding altitude -- the texture is very complicated.
The final track, "Undercurrent" (7:16), leaves us with views of the stars, galaxies, nebulae and clusters we look at during every season of the year. The light from the tiny lamps falls on all sorts of odd forms, as the rays cross each other, the opacity of our bodies throws great shadows, and they are gorgeous.
Composers sometimes seek new timbres, and Greinke is a time wanderer. There are no markings on the night sky, though there exist many sky maps to aid stargazers in identifying constellations and other celestial objects. All of the music heard on Noctilucent was composed, arranged, recorded and produced between May and October 2021 by Jeff Greinke at Another Room, Tucson, Arizona, and was mastered by Howard Givens, to be heard by any and all intrepid listeners by way of Spotted Peccary Music.
Noctilucent is available exclusively in digital format.

1 Unrest
2 Around the Corner
3 Of the Deep Sea
4 Into the Night
5 Tunnel
6 Sinking
7 Noctilucent
8 Refractions
9 Undercurrent
Rating: Excellent
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